Cheryl dos Remdios 
6220 S Norfolk Street, Seattle, WA 98118 | 206.722.2222 |cheryldosremedios@gmail.com 

Professional Experience 
Arts Administration 
Visual Arts Coordinator, City of Kent, November 2006  present
Coordinated the City of Kent's first landmark designation in partnership with King County Historic
Preservation, SvR Design, City of Kent Planning and City of Kent Environmental Engineering for the Herbert
Bayer Earthworks, received "exceptional significance" status.
Organized collaboration between the University of Washington Department of Landscape Architecture and
City of Kent Public Works, sponsored by the Kent Arts Commission. Studio led by Nancy Rottle.
Co-curated channeling herbert: earthworks  artworks  public works. Participating artists, landscape
architects and historians: Beverly Pepper, Richard Haag, Charles Birnbaum, Gwen Chanzit, T. Allan Comp,
Agnes Denes, Patricia Johanson, Dennis Oppenheim, Buster Simpson, Lorna Jordan, T. Ellen Sollod,
Jeroen van Westen and many others.
th
Organized the 25  Anniversary Bayer Earthworks Celebration & Reunion, sponsored by 4Culture and the
Kent Arts Commission. Participating artists and cultural leaders: Sam Bower, Tim Baird, Brice Maryman;
Alex Martin; Paul Rucker
Designed self-guided cultural tour; tour guide for the International Sculpture Center convention .
Coordinated installation and dedication of Big Corn by Peter Requiam which received a 2007 Americans for
the Arts Public Art Award. 
Secured $200,000 line-item public art budget for capital project (Kent has $2 per capita ordinance rather
than % for art, typical budgets fall in the $30K range).
Coordinated commissioning of an $8.5K project gift from the Kent Downtown Partnership.
Day-to-day administration including project managing large-scale, integrated public art projects; single-day
arts events; community art projects; city gallery; collection management and maintenance; budgets;
contracts; promotional materials; supervising interns; staff to the Kent Arts Commission; etc. 
Plans
Rainier Beach Parks, Green Space & Cultural Plan, endorsed by Southeast Effective Development (2008)
Clark Lake Art Plan, co-authored with Ruth Marie Tomlinson, City of Kent (2007) 
Presentations
Managing Risk in Public Art, Public Art in a Nutshell Workshop, Office of Arts & Cultural Affairs, City of
Seattle, April 2008 
Events 
Lead Artist, Grass Routes: Environmental Arts Festival, sponsored by 4Culture, Arboretum Foundation
and the Museum of History & Industry, in partnership with the University of Washington and Seattle
Parks. Participating artists and cultural leaders: Robin Holcomb, Nancy Rawles, Buster Simpson,
Eduardo Calderon, Victoria Haven, Mark Johnson, Nicole Kistler, Alex Martin and the Honorable Cecile
Hansen (event date: July 21, 2006; advocacy efforts continue) 
Commissions
Occidental Suite, reworking of Stadium Suite for the Seattle Seahawks, outdoor large-format banner
installation. (2006: permanent installation)
Daily Migration, a sequence of sculptures that act as a panned animation while serving as gateway
elements for train commuters, commissioned by the City of Kent (2005: permanent installation)
Healing Shelter, a collaborative project with the patients of Harborview Hospital, in partnership with
Metro, Seattle, commissioned by Harborview Medical Center Art Committee (2005)
Stadium Suite, a series of large-format digital prints, commissioned by First & Goal, Inc. for the
Washington State Public Stadium Authority, Seahawk Stadium & Exhibition Center, Seattle (2002-2006)
Moon Bear, an illuminated, temporary sculpture exhibit curated by Timothy Siciliano, commissioned by
the City of Seattle, Winterfest, Seattle Center (December 2000)
Space Monkeys and the Sun Kings, a fire sculpture exhibit curated by Juan Alonso, commissioned by
One Reel, Bumbershoot, Seattle Center (August 1996) 
Funky Vodou Snake Pit and Sugar Pie Honey Bee Room featuring the 'LUUV Birds, site integrated
painting and sculpture, Crocodile Caf, Seattle (1994-2007)


Cheryl dos Remdios 
6220 S Norfolk Street, Seattle, WA 98118 | 206.722.2222 | cheryldosremedios@gmail.com | resume p 2 

Professional Experience, continued 
Organizations
Board Member, Washington Park Arboretum Foundation (2005-present)
Transportation and Parks Committee Member, Seattle Great City Initiative (2008-present)
Public Art Advisory Committee Member, 4Culture (20022006, Vice-Chair 2006)
Harborview Medical Center Bond Program Art Committee Member, 4Culture (2004-2006)
Artwork Donations: Artist Trust, Henry BASH, Women's Funding Alliance, etc (2002-present)
Panelist: 4Culture, City of Seattle, City of Kent, Artist Trust, City of Auburn, King County Art Gallery, City
of Burien, Washington Lawyers for the Arts, University of Washington, Pike Place Market 
Publications
Looking Forward Looking Back: 25 Years of Earthworks at Mill Creek Canyon, co-authored by Brice
Maryman, Arcade, Fall 2007, p 14
Landslide Nomination, Washington Park Arboretum eucalyptus, Cultural Landscape Foundation 2007
Heroes of Horticulture, http://www.tclf.org/landslide/2007/eucalyptus/index.html
Washington Park Arboretum: Threatened Olmsted Legacy, co-authored by Eliza Davidson, The Cultural
Landscape Foundation, December 2007
www.grassroutesarts.org: self-published advocacy guide to SR 520-Bridge construction, 2007 
Selected Reviews and Media
Work of art, work of earth, Sheila Farr, Seattle Times, September 7, 2007
Grass Routes at MOHAI with Nancy Guppy, Seattle Channel, Ralph Bevins, broadcast August 4, 2006
Grass Routes arts festival, radio broadcast, KPLU, Bellamy Pailthorpe, July 20, 2006
This is My Private Art Life, Molly Norris Curtis, Art Access, December 05-January 06, pp 10-11
Patients' Bus Shelter Art Eases Road to Recovery, Debera Carlton Harrell, Seattle Post-Intelligencer,
January 27, 2005 B3, il
A Big Dose of Art Therapy, Jessica Blanchard, Seattle Times, June 24, 2004, pp A1, B1-B2, il
. 
World Takes Center Stage at Museums, Regina Hackett, Seattle Post-Intelligencer, Dec. 27, 2002, p F6
Open to everything: Stadium Reflects Seattle's Quirks, Steve Cameron, Sports Business Journal, August
19-25, 2002, p 1, 32-33, il
Public Art Commitment Adds Passion to Stadium, Regina Hackett, Seattle Post-Intelligencer, July 19,
2002, p F8 
Cheryl dos Remedios at Chase Gallery, Frances DeVuono, Artweek, April, 2000 p 30, il. 
'The End' winds up century on a light note, Regina Hackett, The Seattle Post-Intelligencer, September 2,
1999, pp E1-E3
'The End' is here, Matthew Kangas, The Seattle Times, August 26, 1999 
Collections
Bumbershoot Poster, One Reel, 2001 
Watermarks Project, Seattle Arts Commission & Seattle Public Utilities, 1999 
Awards
Special Project Grant to fund Grass Routes: an environmental arts festival, 4Culture, 2006 
Artist Trust GAP Recipient, Summer, 1991 
Registries
Artist Registry Volume V, Site Integrated + Artist Made Building Parts, 4Culture
Sound Transit, Seattle 
Neighborhood Fire Station Roster, Office of Arts & Cultural Affairs, City of Seattle 
Education
University of Washington Bachelor of Fine Arts in Photography

ART OVERSIGHT COMMITTEE'S
REVIEW & SUBMISSION CERTIFICATE
FOR AOC REPRESENTATIVE

March 11, 2009

/
The Art Oversight Committee has reviewed the application ofCH  Vt.      ME. \05
We respectfully submit his/her name to the Port Commission for approval. This
appointment lls the position of'\/\ sum. ARET5 CuEAToLon the Art Oversight
Committee.


Art Oversight Committee members will be paid an honorarium for their services and
travel expenses. Compensation will be $150 per meeting plus reasonable travel
expenses. Port employees, commissioners, and paid consultants/project personnel will
not be paid an honorarium.





SIGNATURE:   g: 5;"
(Art Oversight Committ    airperson)
gg My! E
(Print or type name of Chairperson)






c:\documents and scttings\cxs\my documents\desktop folders\supp. guidelines docs l\audit - guidelinesbespresntativc
certificatedoc                                               "

G E N E V I E V E G A I S E R T R E M B L A Y
Genevieve Tremblay is an artist, interdisciplinary strategist and community catalyst that places herself at the
convergence of arts, technology and the urban environment. Her creative work for the past 20+ years has
included digital and interactive media, photography, printmaking and painting. Her commercial work includes
award-winning art direction, design for print, retail advertising, multimedia and broadcast. She has worked with
community leaders and educators at all levels to develop innovative programming initiatives and has received
more than 30 local and national grants to implement arts and technology programs. Genevieve's current efforts
are centered around trailblazing creatives and other interdisciplinary thinkers who are redefining culture,
community and the urban environment through inventive applications of social, mobile and locative technologies. 

Co-Founder, Principal, CULTURAL ENTREPRENEURS, Seattle, WA, 2000-present 
Provide strategic vision and planning to pioneering community ventures. Deliver cross-disciplinary programming
that leverages the synergy between artists, designers, scholars, technologists, environmentalists and industry
professionals. Programs include: 
Creative Leadership Series: Professional Development Workshops 
AIGA National Advance for Design Forum: Experience Design Charette, American Institute of Graphic Arts 
Gates Foundation Grant: Strategic Visioning Sessions, Lincoln Elementary, Kennewick, WA 
Office of the Future Consortium: Future@Work Roundtable: A Collaborative Inquiry on Improving the Workplace 
Founder, Principal, DESIGN SCOUT, INC., Seattle, WA, 1998-2000 
Designed, developed and facilitated cross-disciplinary programs, roundtables, and charrettes: 
Integrative Design Strategies: Bridging Disciplines, Forging Communities, Shaping Cyberspace, AIGA Seattle 
Building Healthy Communities, Comprehensive Health Education Foundation (CHEF), Seattle 
Shaping the Network Society: The Future of the Public Sphere in Cyberspace, Seattle Art Museum 
Faculty-Industry Advisory Program: Program encouraged interdisciplinary dialogue, pushed innovation and provided
creative, technical, social and ethical mentoring to high level designers and technologists. 
Special Projects Director, ARTSOURCE, Bellevue, WA, 1996-1998 
Served as primary liaison for educational institutions. Recruited premiere interactive design talent for the
Microsoft Network (MSN). Responsible for developing educational programs and quarterly lecture series. 
Game Design: Net Games, Game Development and Storytelling vs. Interactivity 
Understanding User Interface: Presenting Content, Icon Design & Metaphor 
Evolving State of Web Design/Construction: On-line as Design Medium, Web Builders 
The Printed Word in the Digital Realm: Kinetic Typography 
Digital Media Exhibitions 
Center House Theater Lobby Gallery, Seattle Center, Seattle, WA, "5 Visions," Group show, 2006 
Robert Allman Gallery, Seattle, WA, "Talent and Technology," 1991 
Artist Foundation Gallery, MA Transportation Building, "Over, Under, Sideways, Down," Boston, MA, 1990
Thompson Gallery, Massachusetts College of Art,"Pro-ject," multimedia installation, Boston, MA, 1989
Boston Film and Video Foundation, "The Big Scan," video screening, Boston, MA, 1989 
The Channel, "Open Channel," performance/installation, Boston, MA, 1988 

16401 SE 17th St. Bellevue, Washington | 98008 | 206-409-8418 | gen@culturalentrepreneurs.com

G E N E V I E V E G A I S E R T R E M B L A Y
Program Development and Residencies 
Pacific NW Native American Identity Project, Artist in Residence, Spiritridge Elementary, 2007 
World of Wonders (WOW) Alphabet, Artist in Residence, Spiritridge Elementary, 2006 
Alphabuddies: Embodying The Alphabet, Artist in Residence, Spiritridge Elementary, 2004 
The Mancala Project, Artist in Residence, The Giddon School, Seattle, 2001 
M.I.T. List Visual Art Center, Programmer for Jenny Holzer's electronic signage exhibit, Cambridge, MA, 1988 
New Media 
Pinhole Cinema Project, Seattle, WA, 1991-1993 
Administrative Director  This was a freelance curatorial screening program aimed at presenting critical media
works by a range of established and emerging filmmakers/media artists, encouraging the creation of new media
art in this region. 
M.I.T. List Visual Art Center, Cambridge, MA, 1988 
Graphics Programmer  wrote and installed computer programs for "SIGNS", 
Jenny Holzer's citywide public electronic signage installation. 
Photographic Resource Center/The Brattle Theater, Boston, MA, 1989 
Projectionist  Programmed multi-image projection system for Dorit Cypis' 
live theatrical performance, "Threshold in Musical Time". 
Dara Birnbaum Independent Arts Video, New York, NY 1986 
Artist's Assistant  Researched and photographed video installations by Nam June Paik and other media artists
for Birnbaum's book publication, "Pop Pop Video".
Art Com/Lamamelle, San Francisco, CA 1983 
Copywriter/editor  Edited articles for Carl Loeffler's avant garde publication which featured critique of
groundbreaking Bay area performance art and installation work. 
Target Video, (Joe Rees, Founder), San Francisco, CA 1983 
Production Assistant  Worked on production, lighting and sets for video productions of live performances of punk
bands and underground musicians from the 1970's and 80's. 
Teaching & Lectures 
Massachusetts College of Art, Grounding Work, A symposium on Art and the Environment, Boston, 2008 
Bellevue Community College, Bellevue, WA, Communications Department, Instructor: Digital Media 1995-96 
Reed College, Portland, Oregon, Visiting Artist, Art Department, 1995 
Massachusetts College of Art, Boston, MA, Visiting Artist, Media Department, 1989 
Education
Commercial Real Estate Development Certificate, University of Washington, 2008-2009 (expected) 
Massachusetts College of Art, Boston, MA, Master of Fine Arts, Major: Studio for Inter-Related Media, 1990 
Carnegie Mellon University, Pittsburgh, PA, Bachelor of Fine Arts, Major: Intermedia 1984 
California College of Art, Oakland, CA, Junior Exchange, 1983 
16401 SE 17th St. Bellevue, Washington | 98008 | 206-409-8418 | gen@culturalentrepreneurs.com

G E N E V I E V E G A I S E R T R E M B L A Y
Grants 
In 2000, Genevieve was awarded a SAPPI: Ideas that Matter (Design for the Public Good)for $9000 to pilot The
School ID Program, a program aimed at raising teacher professionalism and building community through the
development of a robust school identity. She received an additional $1500 from American Institute of Graphic
Arts for that program. Since 2002, she has received more than 30 small classroom grants from theBellevue
Schools Foundation which include: 5th Grade Science Investigations, School Garden Project, Shadowplay: The
Magic of Joseph Cornell, and the Peter Donaldson Poetry Residency. She received a Shoppa Foundation grant
in 2004 and received successive BSF classroom grants for the pioneering program, High Tech Treasure Hunt:
Intro to Geocaching and GPS, a 4th grade unit she created introducing geocaching, GPS, latitude/longitude,
codes/encryption, grids/graphing and environmental stewardship. 
Awards and Publications 
Washington State PTSA, Golden Acorn Award, 2007 
Print Magazine Design Annual, 2000 
HOW Magazine Design Annual, 2000 
The Association of Multi-Image, New England, 1989 
IMAGE 89 Silver Award for Direction; IMAGE 89 Special Merit Award for Photography 
Community Engagement 
Bellevue Arts Commission, Mayoral Appointment, City of Bellevue, WA, tenure 2006-present (4 year tenure) 
Currently engaged in the City's public art, cultural development and urban planning initiatives. 
Frayed Wire (Electric Arts Camp), Event Program Committee, 2009 
Bridges To Understanding, Event Program Committee, 2009 
IndieCade, The International Festivals of Independent Games, Board Member, 2008-present 
Bellevue Youth Theater Foundation, Steering Committee, 2008-present 
Good Tern Foundation, Conserving the Natural World through Art and Science, Board Member, 2007- present 
Spiritridge PTSA Grants Chair, Board member, Bellevue, WA, 2002-present 
AIGA Experience Design Chair, Advance for Design Initiative, American Institute of Graphic Arts, 2001-2002 
Co-President, Beacon Hill School PTA, Seattle, WA, 2000-2001 







16401 SE 17th St. Bellevue, Washington | 98008 | 206-409-8418 | gen@culturalentrepreneurs.com

ART OVERSIGHT COMMITTEE'S
REVIEW & SUBMISSION CERTIFICATE
FOR AOC REPRESENTATIVE 

March 11, 2009

The Art Oversight Committee has reviewed the application ofeuem 5V6Tmm
We respectfully submit his/her name to the Port Commission for approval. This
appointment lls the position of ZEEg,E:5%:AT\Uta OE  on the Art Oversight
9
Committee.            \ltSLJAL-                 '
2.1-5 Cor-4Hu $4er

Art Oversight Committee members will be paid an honorarium for their services and 
travel expenses. Compensation will be $150 per meeting plus reasonable travel
expenses. Port employees, commissioners, and paid consultants/project personnel will
not be paid an honorarium.





SIGNATURE:
_
(Art Oversight Commi Chairperson)
"  ,LCA"_  AA l 
(Print or type name of Chairperson)






c:\documents and scttings\cxs\my documents\dcsktop foiders\supp. guidelines docs l\audit - guidelinesVespresntative
certicatedoc