Item 5c Resumes
Cheryl dos Remdios 6220 S Norfolk Street, Seattle, WA 98118 | 206.722.2222 |cheryldosremedios@gmail.com Professional Experience Arts Administration Visual Arts Coordinator, City of Kent, November 2006 present Coordinated the City of Kent's first landmark designation in partnership with King County Historic Preservation, SvR Design, City of Kent Planning and City of Kent Environmental Engineering for the Herbert Bayer Earthworks, received "exceptional significance" status. Organized collaboration between the University of Washington Department of Landscape Architecture and City of Kent Public Works, sponsored by the Kent Arts Commission. Studio led by Nancy Rottle. Co-curated channeling herbert: earthworks artworks public works. Participating artists, landscape architects and historians: Beverly Pepper, Richard Haag, Charles Birnbaum, Gwen Chanzit, T. Allan Comp, Agnes Denes, Patricia Johanson, Dennis Oppenheim, Buster Simpson, Lorna Jordan, T. Ellen Sollod, Jeroen van Westen and many others. th Organized the 25 Anniversary Bayer Earthworks Celebration & Reunion, sponsored by 4Culture and the Kent Arts Commission. Participating artists and cultural leaders: Sam Bower, Tim Baird, Brice Maryman; Alex Martin; Paul Rucker Designed self-guided cultural tour; tour guide for the International Sculpture Center convention . Coordinated installation and dedication of Big Corn by Peter Requiam which received a 2007 Americans for the Arts Public Art Award. Secured $200,000 line-item public art budget for capital project (Kent has $2 per capita ordinance rather than % for art, typical budgets fall in the $30K range). Coordinated commissioning of an $8.5K project gift from the Kent Downtown Partnership. Day-to-day administration including project managing large-scale, integrated public art projects; single-day arts events; community art projects; city gallery; collection management and maintenance; budgets; contracts; promotional materials; supervising interns; staff to the Kent Arts Commission; etc. Plans Rainier Beach Parks, Green Space & Cultural Plan, endorsed by Southeast Effective Development (2008) Clark Lake Art Plan, co-authored with Ruth Marie Tomlinson, City of Kent (2007) Presentations Managing Risk in Public Art, Public Art in a Nutshell Workshop, Office of Arts & Cultural Affairs, City of Seattle, April 2008 Events Lead Artist, Grass Routes: Environmental Arts Festival, sponsored by 4Culture, Arboretum Foundation and the Museum of History & Industry, in partnership with the University of Washington and Seattle Parks. Participating artists and cultural leaders: Robin Holcomb, Nancy Rawles, Buster Simpson, Eduardo Calderon, Victoria Haven, Mark Johnson, Nicole Kistler, Alex Martin and the Honorable Cecile Hansen (event date: July 21, 2006; advocacy efforts continue) Commissions Occidental Suite, reworking of Stadium Suite for the Seattle Seahawks, outdoor large-format banner installation. (2006: permanent installation) Daily Migration, a sequence of sculptures that act as a panned animation while serving as gateway elements for train commuters, commissioned by the City of Kent (2005: permanent installation) Healing Shelter, a collaborative project with the patients of Harborview Hospital, in partnership with Metro, Seattle, commissioned by Harborview Medical Center Art Committee (2005) Stadium Suite, a series of large-format digital prints, commissioned by First & Goal, Inc. for the Washington State Public Stadium Authority, Seahawk Stadium & Exhibition Center, Seattle (2002-2006) Moon Bear, an illuminated, temporary sculpture exhibit curated by Timothy Siciliano, commissioned by the City of Seattle, Winterfest, Seattle Center (December 2000) Space Monkeys and the Sun Kings, a fire sculpture exhibit curated by Juan Alonso, commissioned by One Reel, Bumbershoot, Seattle Center (August 1996) Funky Vodou Snake Pit and Sugar Pie Honey Bee Room featuring the 'LUUV Birds, site integrated painting and sculpture, Crocodile Caf, Seattle (1994-2007) Cheryl dos Remdios 6220 S Norfolk Street, Seattle, WA 98118 | 206.722.2222 | cheryldosremedios@gmail.com | resume p 2 Professional Experience, continued Organizations Board Member, Washington Park Arboretum Foundation (2005-present) Transportation and Parks Committee Member, Seattle Great City Initiative (2008-present) Public Art Advisory Committee Member, 4Culture (20022006, Vice-Chair 2006) Harborview Medical Center Bond Program Art Committee Member, 4Culture (2004-2006) Artwork Donations: Artist Trust, Henry BASH, Women's Funding Alliance, etc (2002-present) Panelist: 4Culture, City of Seattle, City of Kent, Artist Trust, City of Auburn, King County Art Gallery, City of Burien, Washington Lawyers for the Arts, University of Washington, Pike Place Market Publications Looking Forward Looking Back: 25 Years of Earthworks at Mill Creek Canyon, co-authored by Brice Maryman, Arcade, Fall 2007, p 14 Landslide Nomination, Washington Park Arboretum eucalyptus, Cultural Landscape Foundation 2007 Heroes of Horticulture, http://www.tclf.org/landslide/2007/eucalyptus/index.html Washington Park Arboretum: Threatened Olmsted Legacy, co-authored by Eliza Davidson, The Cultural Landscape Foundation, December 2007 www.grassroutesarts.org: self-published advocacy guide to SR 520-Bridge construction, 2007 Selected Reviews and Media Work of art, work of earth, Sheila Farr, Seattle Times, September 7, 2007 Grass Routes at MOHAI with Nancy Guppy, Seattle Channel, Ralph Bevins, broadcast August 4, 2006 Grass Routes arts festival, radio broadcast, KPLU, Bellamy Pailthorpe, July 20, 2006 This is My Private Art Life, Molly Norris Curtis, Art Access, December 05-January 06, pp 10-11 Patients' Bus Shelter Art Eases Road to Recovery, Debera Carlton Harrell, Seattle Post-Intelligencer, January 27, 2005 B3, il A Big Dose of Art Therapy, Jessica Blanchard, Seattle Times, June 24, 2004, pp A1, B1-B2, il . World Takes Center Stage at Museums, Regina Hackett, Seattle Post-Intelligencer, Dec. 27, 2002, p F6 Open to everything: Stadium Reflects Seattle's Quirks, Steve Cameron, Sports Business Journal, August 19-25, 2002, p 1, 32-33, il Public Art Commitment Adds Passion to Stadium, Regina Hackett, Seattle Post-Intelligencer, July 19, 2002, p F8 Cheryl dos Remedios at Chase Gallery, Frances DeVuono, Artweek, April, 2000 p 30, il. 'The End' winds up century on a light note, Regina Hackett, The Seattle Post-Intelligencer, September 2, 1999, pp E1-E3 'The End' is here, Matthew Kangas, The Seattle Times, August 26, 1999 Collections Bumbershoot Poster, One Reel, 2001 Watermarks Project, Seattle Arts Commission & Seattle Public Utilities, 1999 Awards Special Project Grant to fund Grass Routes: an environmental arts festival, 4Culture, 2006 Artist Trust GAP Recipient, Summer, 1991 Registries Artist Registry Volume V, Site Integrated + Artist Made Building Parts, 4Culture Sound Transit, Seattle Neighborhood Fire Station Roster, Office of Arts & Cultural Affairs, City of Seattle Education University of Washington Bachelor of Fine Arts in Photography ART OVERSIGHT COMMITTEE'S REVIEW & SUBMISSION CERTIFICATE FOR AOC REPRESENTATIVE March 11, 2009 / The Art Oversight Committee has reviewed the application ofCH Vt. ME. \05 We respectfully submit his/her name to the Port Commission for approval. This appointment lls the position of'\/\ sum. ARET5 CuEAToLon the Art Oversight Committee. Art Oversight Committee members will be paid an honorarium for their services and travel expenses. Compensation will be $150 per meeting plus reasonable travel expenses. Port employees, commissioners, and paid consultants/project personnel will not be paid an honorarium. SIGNATURE: g: 5;" (Art Oversight Committ airperson) gg My! E (Print or type name of Chairperson) c:\documents and scttings\cxs\my documents\desktop folders\supp. guidelines docs l\audit - guidelinesbespresntativc certificatedoc " G E N E V I E V E G A I S E R T R E M B L A Y Genevieve Tremblay is an artist, interdisciplinary strategist and community catalyst that places herself at the convergence of arts, technology and the urban environment. Her creative work for the past 20+ years has included digital and interactive media, photography, printmaking and painting. Her commercial work includes award-winning art direction, design for print, retail advertising, multimedia and broadcast. She has worked with community leaders and educators at all levels to develop innovative programming initiatives and has received more than 30 local and national grants to implement arts and technology programs. Genevieve's current efforts are centered around trailblazing creatives and other interdisciplinary thinkers who are redefining culture, community and the urban environment through inventive applications of social, mobile and locative technologies. Co-Founder, Principal, CULTURAL ENTREPRENEURS, Seattle, WA, 2000-present Provide strategic vision and planning to pioneering community ventures. Deliver cross-disciplinary programming that leverages the synergy between artists, designers, scholars, technologists, environmentalists and industry professionals. Programs include: Creative Leadership Series: Professional Development Workshops AIGA National Advance for Design Forum: Experience Design Charette, American Institute of Graphic Arts Gates Foundation Grant: Strategic Visioning Sessions, Lincoln Elementary, Kennewick, WA Office of the Future Consortium: Future@Work Roundtable: A Collaborative Inquiry on Improving the Workplace Founder, Principal, DESIGN SCOUT, INC., Seattle, WA, 1998-2000 Designed, developed and facilitated cross-disciplinary programs, roundtables, and charrettes: Integrative Design Strategies: Bridging Disciplines, Forging Communities, Shaping Cyberspace, AIGA Seattle Building Healthy Communities, Comprehensive Health Education Foundation (CHEF), Seattle Shaping the Network Society: The Future of the Public Sphere in Cyberspace, Seattle Art Museum Faculty-Industry Advisory Program: Program encouraged interdisciplinary dialogue, pushed innovation and provided creative, technical, social and ethical mentoring to high level designers and technologists. Special Projects Director, ARTSOURCE, Bellevue, WA, 1996-1998 Served as primary liaison for educational institutions. Recruited premiere interactive design talent for the Microsoft Network (MSN). Responsible for developing educational programs and quarterly lecture series. Game Design: Net Games, Game Development and Storytelling vs. Interactivity Understanding User Interface: Presenting Content, Icon Design & Metaphor Evolving State of Web Design/Construction: On-line as Design Medium, Web Builders The Printed Word in the Digital Realm: Kinetic Typography Digital Media Exhibitions Center House Theater Lobby Gallery, Seattle Center, Seattle, WA, "5 Visions," Group show, 2006 Robert Allman Gallery, Seattle, WA, "Talent and Technology," 1991 Artist Foundation Gallery, MA Transportation Building, "Over, Under, Sideways, Down," Boston, MA, 1990 Thompson Gallery, Massachusetts College of Art,"Pro-ject," multimedia installation, Boston, MA, 1989 Boston Film and Video Foundation, "The Big Scan," video screening, Boston, MA, 1989 The Channel, "Open Channel," performance/installation, Boston, MA, 1988 16401 SE 17th St. Bellevue, Washington | 98008 | 206-409-8418 | gen@culturalentrepreneurs.com G E N E V I E V E G A I S E R T R E M B L A Y Program Development and Residencies Pacific NW Native American Identity Project, Artist in Residence, Spiritridge Elementary, 2007 World of Wonders (WOW) Alphabet, Artist in Residence, Spiritridge Elementary, 2006 Alphabuddies: Embodying The Alphabet, Artist in Residence, Spiritridge Elementary, 2004 The Mancala Project, Artist in Residence, The Giddon School, Seattle, 2001 M.I.T. List Visual Art Center, Programmer for Jenny Holzer's electronic signage exhibit, Cambridge, MA, 1988 New Media Pinhole Cinema Project, Seattle, WA, 1991-1993 Administrative Director This was a freelance curatorial screening program aimed at presenting critical media works by a range of established and emerging filmmakers/media artists, encouraging the creation of new media art in this region. M.I.T. List Visual Art Center, Cambridge, MA, 1988 Graphics Programmer wrote and installed computer programs for "SIGNS", Jenny Holzer's citywide public electronic signage installation. Photographic Resource Center/The Brattle Theater, Boston, MA, 1989 Projectionist Programmed multi-image projection system for Dorit Cypis' live theatrical performance, "Threshold in Musical Time". Dara Birnbaum Independent Arts Video, New York, NY 1986 Artist's Assistant Researched and photographed video installations by Nam June Paik and other media artists for Birnbaum's book publication, "Pop Pop Video". Art Com/Lamamelle, San Francisco, CA 1983 Copywriter/editor Edited articles for Carl Loeffler's avant garde publication which featured critique of groundbreaking Bay area performance art and installation work. Target Video, (Joe Rees, Founder), San Francisco, CA 1983 Production Assistant Worked on production, lighting and sets for video productions of live performances of punk bands and underground musicians from the 1970's and 80's. Teaching & Lectures Massachusetts College of Art, Grounding Work, A symposium on Art and the Environment, Boston, 2008 Bellevue Community College, Bellevue, WA, Communications Department, Instructor: Digital Media 1995-96 Reed College, Portland, Oregon, Visiting Artist, Art Department, 1995 Massachusetts College of Art, Boston, MA, Visiting Artist, Media Department, 1989 Education Commercial Real Estate Development Certificate, University of Washington, 2008-2009 (expected) Massachusetts College of Art, Boston, MA, Master of Fine Arts, Major: Studio for Inter-Related Media, 1990 Carnegie Mellon University, Pittsburgh, PA, Bachelor of Fine Arts, Major: Intermedia 1984 California College of Art, Oakland, CA, Junior Exchange, 1983 16401 SE 17th St. Bellevue, Washington | 98008 | 206-409-8418 | gen@culturalentrepreneurs.com G E N E V I E V E G A I S E R T R E M B L A Y Grants In 2000, Genevieve was awarded a SAPPI: Ideas that Matter (Design for the Public Good)for $9000 to pilot The School ID Program, a program aimed at raising teacher professionalism and building community through the development of a robust school identity. She received an additional $1500 from American Institute of Graphic Arts for that program. Since 2002, she has received more than 30 small classroom grants from theBellevue Schools Foundation which include: 5th Grade Science Investigations, School Garden Project, Shadowplay: The Magic of Joseph Cornell, and the Peter Donaldson Poetry Residency. She received a Shoppa Foundation grant in 2004 and received successive BSF classroom grants for the pioneering program, High Tech Treasure Hunt: Intro to Geocaching and GPS, a 4th grade unit she created introducing geocaching, GPS, latitude/longitude, codes/encryption, grids/graphing and environmental stewardship. Awards and Publications Washington State PTSA, Golden Acorn Award, 2007 Print Magazine Design Annual, 2000 HOW Magazine Design Annual, 2000 The Association of Multi-Image, New England, 1989 IMAGE 89 Silver Award for Direction; IMAGE 89 Special Merit Award for Photography Community Engagement Bellevue Arts Commission, Mayoral Appointment, City of Bellevue, WA, tenure 2006-present (4 year tenure) Currently engaged in the City's public art, cultural development and urban planning initiatives. Frayed Wire (Electric Arts Camp), Event Program Committee, 2009 Bridges To Understanding, Event Program Committee, 2009 IndieCade, The International Festivals of Independent Games, Board Member, 2008-present Bellevue Youth Theater Foundation, Steering Committee, 2008-present Good Tern Foundation, Conserving the Natural World through Art and Science, Board Member, 2007- present Spiritridge PTSA Grants Chair, Board member, Bellevue, WA, 2002-present AIGA Experience Design Chair, Advance for Design Initiative, American Institute of Graphic Arts, 2001-2002 Co-President, Beacon Hill School PTA, Seattle, WA, 2000-2001 16401 SE 17th St. Bellevue, Washington | 98008 | 206-409-8418 | gen@culturalentrepreneurs.com ART OVERSIGHT COMMITTEE'S REVIEW & SUBMISSION CERTIFICATE FOR AOC REPRESENTATIVE March 11, 2009 The Art Oversight Committee has reviewed the application ofeuem 5V6Tmm We respectfully submit his/her name to the Port Commission for approval. This appointment lls the position of ZEEg,E:5%:AT\Uta OE on the Art Oversight 9 Committee. \ltSLJAL- ' 2.1-5 Cor-4Hu $4er Art Oversight Committee members will be paid an honorarium for their services and travel expenses. Compensation will be $150 per meeting plus reasonable travel expenses. Port employees, commissioners, and paid consultants/project personnel will not be paid an honorarium. SIGNATURE: _ (Art Oversight Commi Chairperson) " ,LCA"_ AA l (Print or type name of Chairperson) c:\documents and scttings\cxs\my documents\dcsktop foiders\supp. guidelines docs l\audit - guidelinesVespresntative certicatedoc
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