6a Attach 3
ITEM NO. 6a Attach 3 DATE OF MEETING July 24, 2012 LAURA HADDAD EDUCATION University of California, Berkeley, CA, Master of Landscape Architecture, I99 I 93 Harvard University, Cambridge, MA, Graduate School of Design, Landscape Architecture program, l989-9O Bowdoin College, Brunswick, ME, Bachelor ofArts in History, I98488 Maine College of Art, Portland, ME, art coursework, I987 Scuola Lorenzo de Medici, Florence, Italy, art coursework, I986 SELECT WORK EXPERIENCE Haddad|Drugan LLC, Seattle, WA, 2000-l2, principal of an artist team specializing in environmental art Laura Haddad, Seattle, WA, l9932000, solo artist specializing in environmental art PUBLIC ART COMMISSIONS Denver Museum of Nature & Science, Iridescent Cloud, 20| l I 3, Denver, CO, Arts and Venues Denver, $425,000 Alameda Corridor Rapid Transit System, 20l l | 3, El Paso, TX, City of El Paso Public Art Program, $340,000 Edmonton Valley Zoo, Grove ofLight, 20 l 2, Edmonton, AB, Edmonton Arts Council, $ | 80,000 Lincoln Avenue Bridge Portal, Bins of Light, 2008-l2, Yakima, WA, Allied Arts of Yakima, $375,000 Acreage Library, Productive Light, 2009- l 2, West Palm Beach, FL, Palm Beach County Art in Public Places, $ I 87,000 Charles Village Streetscape, Optical Gardens, 20 I 0 | 2, Baltimore Department of Transportation, $250,000 Seattle-Tacoma International Airport Entry Gateway, Emerald City, 20| |, Port of Seattle Art Program, $ | ,300,000 Denver Animal Shelter, Sun Spot, 20l |, Denver, CO, Arts and Venues Denver, $3|0,000 5'h Avenue Streetscape, Cloud Chamber, 20I I, Seattle, WA, City of Seattle Transportation, $45,000 Hubbard Homestead Park, Spring Source, 20l I, Seattle, WA, City of Seattle Parks & Transportation, $30,000 Colony Park Watercourt and Shelter, Las Zanyas, 20 l 0, Anaheim, CA, City of Anaheim, $500,000 Indian Bend Wash Gargoyles and Earthworks, Water/Mark, 20l0, Scottsdale, AZ, Scottsdale Public Art, $350,000 Denny Way Combined Sewer Overflow (CSO) Project, Undercurrents, 2003, 20 I 0, Seattle, WA, 4Culture, $400,000 Richmond Beach Saltwater Park, Reex Solaris, 2009, Shoreline, WA, Shoreline Public Art Program, $48,000 Southern Community Park, Elemental Landscape, 2009, Chapel Hill, NC, Chapel Hill Arts Commission, $|00,000 Fremont Peak Park, 2007, Seattle, WA, City of Seattle Parks & Recreation, $450,000 park budget Greenbridge Housing, Theatrum MundiBotanicaLandslide, 2007, White Center, WA, King County Housing, $160,000 Shilshole Bay Marina Water Feature, Groundswell, 2007, Seattle, WA, Port of Seattle Art Program, $500,000 Fire Station 35 Plaza, Lineage, 2007, San Jose, CA, San Jose Arts Commission, $|25,000 Astoria Riverwalk, NetSpaerloat, 2006, Astoria, OR, Astoria Visual Arts, $75,000 (awaiting funds) Oxbow Park, Garden Hat, 2006, Seattle, WA, 4Culture & Georgetown Community Council, $4,500 Monument Square Bus Shelter, jewel Box, 2004, Portland, ME, Portland Public Art Program, $65,000 Oxbow Park, l999-2004, Seattle, WA, Georgetown Community Council, $500,000 park budget Kent Commons Community Center, Millennium Plaza, 200i, Kent, WA, Kent Arts Commission, $ | 00,000 Seattle Waterfront Marriott Hotel Rooftop, 2003, Seattle, WA, Marriott International, $480,000 Art on the Outside, Starchief, 2002, West Hollywood, CA, West Hollywood Arts Commission, $6,600 ART PLANS South Link 200d1 Street Light Rail Station & Alignment, SeaTac, WA, 20l020 l 5, Sound Transit . Downtown Bellevue "Great Streets" Streetscape and Art Plan, 2007, Bellevue, WA, City of Bellevue SeattleTacoma International Airport Entry Art Plan, 2005, SeaTac, WA, Port of Seattle Art Program Roosevelt/Green Lake Art Plan, 2002, Seattle, WA, 4 Culture Sound Transit Central Link Light RailVisual Arts Team, 20000 I, Seattle, WA, Sound Transit LAURA HADDAD page2 T EAC H | N G Rhode Island School of Design, Department of Landscape Architecture, Providence, RI 0 20I I, 2006 Visiting Studio Instructor University of WA, Department of Landscape Architecture, Seattle, WA ' 20 | 0, 2004 Visiting Studio instructor ' 2004-I I, member of Professional Advisory Council PROFESSIONAL ACTIVITIES Registered Landscape Architect, State of WA, License #865 Americans for the Arts, member Seattle Monorail Project Art Committee, Seattle, WA, 200405, member ofa committee overseeing art program Public Artist Selection Committees, for Port of Seattle, City of Seattle, 4 Culture, and Sound Transit SELECT LECTURES, EXHIBITS WASLA Conference, 2009, Seattle, WA, presentation on "Productive Parks" Channeling Herbert: earthworks, artworks, public works, 2007, Kent, WA, exhibit honoring Herbert Bayer Seattle Arts Commission, I999 & 200 I, slide lectures on process for "Public Art IO " | artist development seminars From Here to There, I996, Bumbershoot, Seattle, WA, exhibit on public art SELECT AWARDS Valley Forward Association Environmental Excellence AwardsMerit Award, 20 | 0, Water Mark, Scottsdale, AZ Americans for the ArtsYear in Review Award Recipient, 2OI0, Elemental Landscape, Chapel Hill, NC Seattle Design CommissionDesign Award Recipient, 2009, Fremont Peak Park, Seattle, WA Americans for the ArtsYear in Review Award Recipient, 2008, Fremont Peak Park, Seattle, WA WASLA Professional AwardSpecial Mention for Social Response, 2008, Greenbridge Paris, Seattle, WA 4Cu|ture Special Projects, 2006, grant for a temporary art installation in Seattle's Oxbow Park WASLA Professional Honor Award, 2003, Oxbow Park, Seattle, WA PONCHO & Centrum Arts Center, I999, Port Townsend, WA, funded artist residency in Fort Worden State Park Seattle Arts Commission, I996, From Here to There exhibit, Seattle, WA, prize for a public art proposal Allied Arts Foundation, I995, Seattle, WA, grant for a landscape installation SELECT PUBLISHED WRITING "Art of Infrastructure," Public Art by the Book, Barbara Goldstein (ed), Seattle: University ofWA Press, 2005. "A Mayday Reclamation Project," Landscape journal. I812. Fall I999 (with cover photo of art installation). "Happening: Paradigms of Light aBlaze (A Dialectic of the Sublime and the Picturesque)," Landscape journal. I5: |. Spring I996. "Olympic Sculpture Park," Arcade. l9.4. Summer 200 l. "The Town Giant is a Cowboy," Arcade. I93. Spring 2001. "The Enclosed Garden," Arcade. I83. Fall 2000. SELECT BIBLIOGRAPHY "CommissionsGroundswell," Sculpture. Vol. 27 No. 6, July/August 2008. "Massive underpass art project part of downtown overhaul," Yakima Herald. March 26, 2008. "New Fremont park is an eye-popper," Seattle Times (front page headline). October 30, 2007. "Spillway make us proud," Scottsdale Republic. March 28, 2007. "Flower power for good old Hat 'N' Boots," Beacon Hill News South Districtjournal. July I2, 2006. "'Boots' shined, it's time to see to 'Hat:' They hope petals push people to act," Seattle Postlntelligencer. July 8, 2006. "Bus Shelter a public art triumph," Portland Press Herald. December 2, 2004. "InsiderUndercurrents," Sculpture. Vol, 23 No. 5, June 2004. "ItineraryEdges & Hedges," Sculpture. Vol. 2| No. 8, October 2002. "On the Edge: Art Installations Transform an Urban Artery," Landscape Architecture. August 2002. "Denny Way CSO Project," Land Forum. June 2000. (Designed Landscape ForumUnbuilt Landscapes)
Limitations of Translatable Documents
PDF files are created with text and images are placed at an exact position on a page of a fixed size.
Web pages are fluid in nature, and the exact positioning of PDF text creates presentation problems.
PDFs that are full page graphics, or scanned pages are generally unable to be made accessible, In these cases, viewing whatever plain text could be extracted is the only alternative.