6a Attach 3

ITEM NO. 6a Attach 3
DATE OF
MEETING July 24, 2012


LAURA HADDAD


EDUCATION

University of California, Berkeley, CA, Master of Landscape Architecture, I99 I 93
Harvard University, Cambridge, MA, Graduate School of Design, Landscape Architecture program, l989-9O
Bowdoin College, Brunswick, ME, Bachelor ofArts in History, I98488
Maine College of Art, Portland, ME, art coursework, I987
Scuola Lorenzo de Medici, Florence, Italy, art coursework, I986

SELECT WORK EXPERIENCE

Haddad|Drugan LLC, Seattle, WA, 2000-l2, principal of an artist team specializing in environmental art
Laura Haddad, Seattle, WA, l9932000, solo artist specializing in environmental art

PUBLIC ART COMMISSIONS

Denver Museum of Nature & Science, Iridescent Cloud, 20| l I 3, Denver, CO, Arts and Venues Denver, $425,000
Alameda Corridor Rapid Transit System, 20l l | 3, El Paso, TX, City of El Paso Public Art Program, $340,000
Edmonton Valley Zoo, Grove ofLight, 20 l 2, Edmonton, AB, Edmonton Arts Council, $ | 80,000
Lincoln Avenue Bridge Portal, Bins of Light, 2008-l2, Yakima, WA, Allied Arts of Yakima, $375,000
Acreage Library, Productive Light, 2009- l 2, West Palm Beach, FL, Palm Beach County Art in Public Places, $ I 87,000
Charles Village Streetscape, Optical Gardens, 20 I 0 | 2, Baltimore Department of Transportation, $250,000
Seattle-Tacoma International Airport Entry Gateway, Emerald City, 20| |, Port of Seattle Art Program, $ | ,300,000
Denver Animal Shelter, Sun Spot, 20l |, Denver, CO, Arts and Venues Denver, $3|0,000
5'h Avenue Streetscape, Cloud Chamber, 20I I, Seattle, WA, City of Seattle Transportation, $45,000
Hubbard Homestead Park, Spring Source, 20l I, Seattle, WA, City of Seattle Parks & Transportation, $30,000
Colony Park Watercourt and Shelter, Las Zanyas, 20 l 0, Anaheim, CA, City of Anaheim, $500,000
Indian Bend Wash Gargoyles and Earthworks, Water/Mark, 20l0, Scottsdale, AZ, Scottsdale Public Art, $350,000
Denny Way Combined Sewer Overflow (CSO) Project, Undercurrents, 2003, 20 I 0, Seattle, WA, 4Culture, $400,000
Richmond Beach Saltwater Park, Reex Solaris, 2009, Shoreline, WA, Shoreline Public Art Program, $48,000
Southern Community Park, Elemental Landscape, 2009, Chapel Hill, NC, Chapel Hill Arts Commission, $|00,000
Fremont Peak Park, 2007, Seattle, WA, City of Seattle Parks & Recreation, $450,000 park budget
Greenbridge Housing, Theatrum MundiBotanicaLandslide, 2007, White Center, WA, King County Housing, $160,000
Shilshole Bay Marina Water Feature, Groundswell, 2007, Seattle, WA, Port of Seattle Art Program, $500,000
Fire Station 35 Plaza, Lineage, 2007, San Jose, CA, San Jose Arts Commission, $|25,000
Astoria Riverwalk, NetSpaerloat, 2006, Astoria, OR, Astoria Visual Arts, $75,000 (awaiting funds)
Oxbow Park, Garden Hat, 2006, Seattle, WA, 4Culture & Georgetown Community Council, $4,500
Monument Square Bus Shelter, jewel Box, 2004, Portland, ME, Portland Public Art Program, $65,000
Oxbow Park, l999-2004, Seattle, WA, Georgetown Community Council, $500,000 park budget
Kent Commons Community Center, Millennium Plaza, 200i, Kent, WA, Kent Arts Commission, $ | 00,000
Seattle Waterfront Marriott Hotel Rooftop, 2003, Seattle, WA, Marriott International, $480,000
Art on the Outside, Starchief, 2002, West Hollywood, CA, West Hollywood Arts Commission, $6,600

ART PLANS

South Link 200d1 Street Light Rail Station & Alignment, SeaTac, WA, 20l020 l 5, Sound Transit .
Downtown Bellevue "Great Streets" Streetscape and Art Plan, 2007, Bellevue, WA, City of Bellevue
SeattleTacoma International Airport Entry Art Plan, 2005, SeaTac, WA, Port of Seattle Art Program
Roosevelt/Green Lake Art Plan, 2002, Seattle, WA, 4 Culture
Sound Transit Central Link Light RailVisual Arts Team, 20000 I, Seattle, WA, Sound Transit

LAURA HADDAD
page2
T EAC H | N G

Rhode Island School of Design, Department of Landscape Architecture, Providence, RI
0 20I I, 2006 Visiting Studio Instructor
University of WA, Department of Landscape Architecture, Seattle, WA
' 20 | 0, 2004 Visiting Studio instructor

' 2004-I I, member of Professional Advisory Council

PROFESSIONAL ACTIVITIES

Registered Landscape Architect, State of WA, License #865
Americans for the Arts, member
Seattle Monorail Project Art Committee, Seattle, WA, 200405, member ofa committee overseeing art program
Public Artist Selection Committees, for Port of Seattle, City of Seattle, 4 Culture, and Sound Transit

SELECT LECTURES, EXHIBITS

WASLA Conference, 2009, Seattle, WA, presentation on "Productive Parks"
Channeling Herbert: earthworks, artworks, public works, 2007, Kent, WA, exhibit honoring Herbert Bayer
Seattle Arts Commission, I999 & 200 I, slide lectures on process for "Public Art IO "
|  artist development seminars
From Here to There, I996, Bumbershoot, Seattle, WA, exhibit on public art

SELECT AWARDS
Valley Forward Association Environmental Excellence AwardsMerit Award, 20 | 0, Water Mark, Scottsdale, AZ
Americans for the ArtsYear in Review Award Recipient, 2OI0, Elemental Landscape, Chapel Hill, NC
Seattle Design CommissionDesign Award Recipient, 2009, Fremont Peak Park, Seattle, WA
Americans for the ArtsYear in Review Award Recipient, 2008, Fremont Peak Park, Seattle, WA
WASLA Professional AwardSpecial Mention for Social Response, 2008, Greenbridge Paris, Seattle, WA
4Cu|ture Special Projects, 2006, grant for a temporary art installation in Seattle's Oxbow Park
WASLA Professional Honor Award, 2003, Oxbow Park, Seattle, WA
PONCHO & Centrum Arts Center, I999, Port Townsend, WA, funded artist residency in Fort Worden State Park
Seattle Arts Commission, I996, From Here to There exhibit, Seattle, WA, prize for a public art proposal
Allied Arts Foundation, I995, Seattle, WA, grant for a landscape installation

SELECT PUBLISHED WRITING

"Art of Infrastructure," Public Art by the Book, Barbara Goldstein (ed), Seattle: University ofWA Press, 2005.
"A Mayday Reclamation Project," Landscape journal. I812. Fall I999 (with cover photo of art installation).
"Happening: Paradigms of Light aBlaze (A Dialectic of the Sublime and the Picturesque)," Landscape journal. I5: |. Spring I996.
"Olympic Sculpture Park," Arcade. l9.4. Summer 200 l.
"The Town Giant is a Cowboy," Arcade. I93. Spring 2001.
"The Enclosed Garden," Arcade. I83. Fall 2000.

SELECT BIBLIOGRAPHY

"CommissionsGroundswell," Sculpture. Vol. 27 No. 6, July/August 2008.
"Massive underpass art project part of downtown overhaul," Yakima Herald. March 26, 2008.
"New Fremont park is an eye-popper," Seattle Times (front page headline). October 30, 2007.
"Spillway make us proud," Scottsdale Republic. March 28, 2007.
"Flower power for good old Hat 'N' Boots," Beacon Hill News South Districtjournal. July I2, 2006.
"'Boots' shined, it's time to see to 'Hat:' They hope petals push people to act," Seattle Postlntelligencer. July 8, 2006.
"Bus Shelter a public art triumph," Portland Press Herald. December 2, 2004.
"InsiderUndercurrents," Sculpture. Vol, 23 No. 5, June 2004.
"ItineraryEdges & Hedges," Sculpture. Vol. 2| No. 8, October 2002.
"On the Edge: Art Installations Transform an Urban Artery," Landscape Architecture. August 2002.
"Denny Way CSO Project," Land Forum. June 2000. (Designed Landscape ForumUnbuilt Landscapes)

Limitations of Translatable Documents

PDF files are created with text and images are placed at an exact position on a page of a fixed size.
Web pages are fluid in nature, and the exact positioning of PDF text creates presentation problems.
PDFs that are full page graphics, or scanned pages are generally unable to be made accessible, In these cases, viewing whatever plain text could be extracted is the only alternative.